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ard549 / 11.11.2020

The topic of the last classes was ethics in art. The conversation and reflection on this subject should begin with defining what this ethics is In the scientific sense, ethics, along with aesthetics, is a branch of axiology, i.e. a branch of philosophy dealing with the study of values. In the case of ethics, we are dealing with moral value. This means that it is a science that studies morality and creates thought systems from which moral principles can be derived. Ethics in the colloquial sense is the totality of moral norms recognized at some time by a social community as a...

ARD514 / 10.11.2020

In this task, we were asked to create a new movie about 2 minutes long from random movie clips. These films were to be downloaded from the website www.archive.org (Internet Archive is a non-profit library of millions of free books, movies, software, music, websites, and more.) My only criterion in choosing movies was in black and white I chose 17 films at random. Using Final Cut, I created a video that is posted below. https://www.youtube.com/watch?v=ALUnOdfHQhU&feature=youtu.be ...

ARD514, Level 5 / 10.11.2020

Jakub Różalski (born 1981) is a Polish graphic artist, painter, concept artist and illustrator. He comes from Koszalin. He lived abroad for several years. He worked on Kong: Skull Island, creating its concept art. He gained popularity thanks to his 1920+ painting project, creating an alternative universe in which he combines the motifs of cavalry, the Polish army and everyday village life with the painting of the 19th and 20th centuries The 1920+ painting project was initially interested in Jamey Stegmaier, who in 2015 started collecting money for the release of Scythe on the Kickstarter platform. The work was to be...

ARD514, Level 5 / 02.11.2020

We were asked to copy 2 sections of our own photographs and create something new/refreshed from them. I went through the archives on my computer a portrait of my husband I took over summer and a photo from a trip to Polish Zoo where you can feed the deers. I also used a texture that I created with watercolours on paper and scanned it in. After choosing the images I created a file in photoshop and pasted the section of the images into the document When I set the images up in PS I created a layermask and masked out...

ard516, Level 5 / 02.11.2020

In 1857, Oscar Rejlander created the world's first "special effects" image by combining different sections of 32 negatives into a single image, making a montaged combination print. In 1895, Alfred Clark created what is commonly accepted as the first-ever motion picture special effect. While filming a reenactment of the beheading of Mary, Queen of Scots, Clark instructed an actor to step up to the block in Mary's costume. As the executioner brought the axe above his head, Clark stopped the camera, had all of the actors freeze, and had the person playing Mary step off the set. He placed a Mary dummy in the actor's place,...

ard516 / 02.11.2020

Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two images or video streams together based on colour hues (chroma range). The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay (CSO; primarily by the BBC), or by various terms for specific colour-related variants such as green screen, blue screen and magic pink;...

ARD514, ard516, Level 5 / 02.11.2020

Thanks to the practical combination of science and art, the theory of colors was created. Its job is to identify which colors look good together and are the perfect combination. It determines how the color affects a person, what emotions it evokes in him, how to combine colors so that the image/photo/film / graphic design looks attractive to the human eye. Color theory and the traditional color wheel that functions in the art world were developed by Isaac Newton in 1666. He conducted an experiment based on the diffraction of light through a prism. Thanks to this, he appointed the so-called...

ard516 / 01.11.2020

A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage (compositing). At its best, depending on the skill levels of the artists and technicians, the effect is "seamless" and creates environments that would otherwise be impossible or expensive to film. In the scenes the painting part is static and movements are integrated on it. Traditionally, matte paintings were made by artists using paints or...

ard549, Uncategorized / 31.10.2020

Culture is also understood in the context of material and non-material "creative" achievements of society or is associated with the issue of building identity. For over two decades, our understanding has expanded to another field - economics, and thus requires finding a suitable place in the economies of cities, regions and countries.The impulse for changes in the perception of culture (and art) came in the late 1990s from two parts of the world. First, in 1994, in Australia, the left-wing government of Paul Keating announced the creation of "Creative Nation" - a document describing cultural policy. It perpetuated the artificial,...

ard516 / 30.10.2020

Throughout the 1990s, traditional matte paintings were still in use, but more often in conjunction with digital compositing. Die Hard 2 (1990) was the first film to use digitally composited live-action footage with a traditional glass matte painting that had been photographed and scanned into a computer. It was for the last scene, which took place on an airport runway. By the end of the decade, the time of hand-painted matte paintings was drawing to a close, although as late as 1997 some traditional paintings were still being made, notably Chris Evans’ painting of the RMS Carpathia rescue ship in James Cameron’s Titanic. Paint has now been superseded...